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The Fox's Wedding Tarot

Updated: Sep 17, 2020




In our latest interview, Patrick Spargur, creator of The Fox's Wedding Tarot, gives us an insight into the interweaving of art with tarot and explains why his deck is best used on a daily basis rather than as a deck to tell your future.


Unfortunately, this kickstarter did not reach the required funding level.


Where in the world do you call home?


I live in Novato, California, a small town in Marin County 30 miles north of San Francisco. Marin County is home to many musicians, a thriving spiritual community, and hundreds of miles of forest and ocean.


What was your first experience with tarot and when did you fall in love with it?

I started playing with cards when I was very young. My grandmother and I would often play Concentration and that was my first experience with really listening to the cards and paying attention to the relationships between cards. This naturally led to ‘cold reading’ which I still love to do. There’s no more raw way to read than grabbing a deck of playing cards off someone’s shelf and doing a reading on the spot. There’s an underlying structure in a deck of playing cards that makes it an incredibly useful story telling tool, that story creation and story telling is at the heart of Tarot. When you really dig in on the inferences of the suits and the path and patterns moving from Ace to King it’s a very powerful experience.

When I was 22, back in 1989 I received my first real Tarot deck The Voyager Tarot which had just come out (coincidentally it was also created here in Marin County.) My roommate was Wiccan at the time and she thought I’d enjoy it for its very modern approach to Tarot. I still have this deck and use it daily. I’ve had James Wanless (the Voyager’s creator) read for me and weigh in on my design journey as well. This deck has been with me through all of my experiences and travels and is still my go to deck when I’m reading for myself.

What made you want to create this deck? What was your inspiration?

I think everyone who reads considers creating their own deck in order to add to the community of Tarot. It took me a long time to believe that I was ready to start down this path. As I connected with the online Tarot community I was really floored by all the energy and creativity going on. There are decks for any viewpoint and some of the simplest, like Kawaii are actually the most powerful. The community on Kickstarter, Reddit, Instagram & Discord is incredibly creative and I really wanted to contribute to it. I’m from a family of painters, I’ve spent a LOT of time in art school so that was a natural starting point for my deck. There are so many evocative stories, personalities and images embedded in art history that transcend time. These formed the perfect raw material for me to construct my own story. The artists whose work I have co-opted to make this deck were all big influences in my life as well. Singer-Sargent, Millet, Rodin, Michelangelo, Da Vinci, William Morris and the Arts & Crafts Movement, Turner’s landscapes, all have inspired me throughout my life. Their works capture and stop time for the viewer, many of them look directly at you and want you to intuit their story. A woman from Norway recently told me that my deck seemed to sit outside of time, it wasn’t current or dated it was simply timeless. I loved hearing that.

Before the pandemic hit I had a very long commute to work each day, just over 1 hour in each direction on a bus. So I had a LOT of time alone to research and work through the first few cards from my iPad. Once we all switched to working from home I found I had even more time to dedicate to the deck and that’s when this turned from a personal journey to actually wanted to publish it via Kickstarter. Danielle Noel’s Starchild Tarot, Arthur Wang’s Trueblack, Sullivan Hismans’ Tarot Sheet Revival, James Wanless’s The Voyager Tarot and Natalia Silva’s playing card designs all used innovative approaches to design and production to create an entirely unique experience and they motivate me to explore what else could be done. The community on Discord; Ammers, Starsailor & Twist The Leaf and the rest all provided great unvarnished feedback along the way.

Aside from your own deck, do you have a favourite deck? If so, which one?


I have two go-to decks now for reading. First is James Wanless’s Voyager Tarot which has been my main deck since I started reading over 30 years ago and I think really kicked off the Tarot revival of the late 1980s early 1990s. The other deck I’m finding really insightful though is from Sullivan Hissmans Tarot Sheet Revival’s Jean Dodali deck. It’s an extraordinarily meticulous recreation of an original Marseille deck from the 1700s. The creator started with wood block prints from Bibliothèque Nationale de France and the British Museum and recreated the deck faithful to the original, these are then printed on paper he made himself and hand painted. To me his decks create a direct conversation with the past which is a critical step in learning Tarot. Sullivan has created a number of different historic decks from the 1400s – 1800s and each one is like discovering a new root that underlies everything you’ve learned about Tarot.

Do you have a favourite card (either from your deck or just the card in general). If so, why is it your favourite?

The King of Cups has always been my favorite card. In a deck of playing cards he is the King of Hearts or the Suicide King, some choose to carry that into Tarot and others don’t but I think it’s very romantic. The reason